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photo gallery
| recent or somewhat recent
| dance - or another life | long,
long, long ago...
recent or at least somewhat
recent
Digging around I have found some old photos that
gave me a laugh, oh some are so, so, sooooo long ago. Unfortunately
I don't have photos of most productions and no films until I can
figure out how or why. Click on images for larger view.
The Great White Hope, with Brave New World Repertory. Performed for one night before an audience of over 2,000. Barry Maynoone, Photographer is a link to a wonderful series of slide shows and blog documenting the production.
 one
of my favorite pictures, Sophie and me in a yawn.
 Berlin
- by G.L. Zevin, directed by Hans Canosa, The Tribeca Playhouse.
I played the First A.D., German Soldier #2, The Piano Man (pictured
here with Hans Tester) and Ernst. Also the production has it's own
website Berlin - the play.
photo: Hans Canosa.
A billboard for Acela - that damnit I still think is me.
On Eighth Ave. near 34th Street, NYC, can see it from Penn Station.
Gotta let go of things. Rrrrrrggggghhh!
Reno from Hide Mother In My Heart, written & directed
by Ralph Pezzulo, a faded-jaded-rock star, photo: Andrea Nugit.
The Swan, by Elizabeth Egloff, directed by Stephen Jobes, with
Andrea Nugit (Dora), Bart Tangredi (Kevin), and myself (The Swan).
My all-time favorite and physically hardest role.
 Close
Enough For Jazz... & Other Short Plays, by Joe Lauinger,
directed by Andrea Nugit, Ken Cicerale on alto sax, performed with
Karen Abraham, at the West Bank Cafe. Four short plays The
Box - in which a young woman comes to make a confession
and the priest is having a nervous breakdown in a confessional that's
too small for him to fit into, Close Enough For Jazz...
(pictured) - a couple meet for their weekly dose of sex only to
discover they will never connect, High-Risk Giving
- a man comes to donate blood bank making life difficult for the
nurse, and Half In Love - two people each with secret
reasons for visiting a graveyard discover how to live. photo: Andrea
Nugit.
Labor Day, a short film by Jaap van Eyck. A very strange doctor
delivering a baby. photo by Jaap van Eyck.
 The
Midnight Caller, by Horton Foote, with original music by Alex
Rybek, performed at Ensemble Studio Theatre, with Suzanne Smith,
Sharon Good, Barnetta Carter, Hariet Miller, Joan Penn, Brian Schumway,
and myself. My first directing effort. photos: Michael Bieknell
who was also a great assistant.
dance - or another life
The Follies Burlesque at the Claridge Hotel in Atlantic City,
The Adagio choreography Minnie Madden, with Bobby Milikien.
An oh so old headshot for ballet. 
 Arizona
Ballet, Steven Wistrich Artistic Director. Pictured is the ballet
Mobile, an audience favorite with choreography Tom Rudd,
music was Katchaturian's Gayne Ballet Suite, with Andrea Gozesky,
Lois Black and myself.
long, long, long ago...
 Macbeth,
as one of the witches, set in an apocalyptic future on a set of
junk cars, at Arizona State University, too long ago to mention,
but I had a gas.
 The
Front Page, as one of the reporters, also from ASU, again a
great set.
 Fiddler
on the Roof, as Tevye, my first leading role, performed in summer
stock at Sombrero Playhouse in Arizona.
 The
Late Christopher Bean, performed in community theatre in Scottsdale,
Arizona. Unfortunately I don't remember the young ladies name, we
were cast as the young lovers in three plays and she couldn't stand
me because I was younger than her. But hey, we were a great looking
couple.
Pictured with my sister Liz, a ham even then.
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